No one was to be spared from Fiesto's electro-tribal assault.
Synths and G.I. sheets
The musical madman armed himself with a drum-and-lyre brigade, ably supported by synthesizers and loops courtesy of himself and Mayonnaise bass player Poch Villalon. As they started the evening with "Burado" (off "Fiestamatik") Blanco introduced his new persona and showed the crowd that he really meant business.
With business, he meant exploring new territory and taking his fans along for the ride. After all, the album was recorded in a manner unlike all his
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